Back to writing; not because there wasn’t anything to report, but mostly due to lack of time and sometimes motivation to do so.
Now, in the eve of the ever-elitist snobish celebrity photo-op movie party that is the Toronto Film Festival, us film lovers without tickets wonder about the upcoming fall season. I must admit I didn’t have expectations about it, nothing caught my attention. I was vastly misinformed, there’s a lot to look forward to.

Across the Universe: leave it to the Beatles to make a musical interesting. The cover songs actually sound good and devoid of the typical cheesiness that affects most musicals. The story sounds very captivating and the idea of bringing the Beatles universe to it is nothing short of genius.

Sweeney Todd: 2 musicals in a row? Never thought I’d see this day come. I already commented about it; looks really good. I want to see Johnny Depp slit some throats to some creepy whimsical music.

Eastern Promises: Cronenberg’s new film promises to be very gritty. The cast is superb: Viggo Mortensen looks amazingly creepy, Naomi Watts is lovely as ever and it’s about time somebody gave a good role Armin Mueller-Stahl.

I’m not there: Don’t count me as a Bob Dylan fan; I find his music rather boring, truth be told. But the idea of having 6 different actors, Cate Blanchett among them, to play Dylan in different stages of his life is fascinating.

Beowulf: this Neil Gaiman/Roger Avary script visual extravaganza is eagerly anticipated for its groundbreaking mo-capped animation, photorrealism and 3D overwhelming experience. I’m still esceptic about the end result in the trailer, but I’m definitely looking forward to being proved wrong.

Control: the debut of master photographer Anton Corbijn, a biopic about Joy Division’s Ian Curtis and his demise. As if the visuals weren’t enough, you’ll also be treated to original music and a score by New Order. Samantha Morton… look out for her.

American Gangster: perhaps I’m a closet gansgter movies fan, this looks very interesting. Denzel Washington should thank Ridley Scott for rescuing him out of those stupid cop roles he always does. Hopefully, he’ll finally get to prove why he’s won his Oscars. If not, you can always count on Russell Crowe to give a good performance.